30/12/2017

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Welcome ! Willkommen !

This is an index of all the persons introduced in the Darumapedia.

. Daruma Pilgrims Gallery .


. Personal names used in Haiku 俳句  .

. WKD : Introducing Japanese Haiku Poets .

. WKD : 松尾芭蕉 Matsuo Basho and his friends .

. WKD SAIJIKI : Memorial Days of Famous People .


and many more

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Gabi Greve
June 2013


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30/08/2016

Akkamura Shunsaku

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Akkamura Shunsaku 安家村俊作 "Shunsaku from Akkamura village"
佐々木俊作 Sasaki Shunsaku

(1810 - 1837)
Also known as 茂右衛門 Moemon, he later changed his name to Shunsaku.
He was the eldest son of the village leader 佐々木茂右衛門.

安家村 Akkamura is a small remote village in 岩手県 Iwate prefecture. In 1956 it became part of Iwaizumi 岩泉町安家.

Shunsuke was the leader of two farmer's rebellions in the Nanbu Domain 南部三閉伊一揆.
He kept a diary about the events in his village, its bad treatment by the Nanbu regents and the ongoing famine for about 19 years, from 1830 till 1848.
He was one of the leaders of the two
Sanhei Ikki 三閉伊一揆 Sanhei Rebellions of 1847 and 1854
after a severe famine, walking with about 16000 farmers and fishermen all the way to the domaine of the Date 伊達 in Sendai, asking for help.

It all begun with blowing a horagai ほら貝 conch shell from a small hill in 田野畑村 Tanohata village. The sound was heard and passed on and the people begun to move South. They wore a small straw bags with food and even took a bowl with them.
Every village carried their own flag.
Some even had fire weapons (the matagi hunters), others bamboo spears and swords.

They went South along the Tohoku coast, via 宮古 Miyako, 大槌 Otsuchi, 釜石 Kamaishi and finally to the domaine of Sendai.
This was just three days after Perry had shown up with four "black ships" in Uraga, near Edo.
The rebels had a long list of demands they wanted to be granted from their new regent, not only including the farmers and fishermen, but also merchants, salt producers, cloth dyers and other businesses.
Eventually their 49 demands 四十九カ条の要求 were granted in written, 「安堵状」, 「御百姓」
At first, nobody was punished for the rebellion. But eventually just one, Shunsaku, had to be punished to "keep the law".

Shunsaku was punished with exile to 下北半島 Shimokita Hanto.
He was later pardoned and went to Hokkaido, where he lived under the name of
菊池政美 Kikuchi Masami.

Shunsuke had also been to Shikoku in 1842, and took the chance to walk the Henro pilgrimage, writing another diary, 西国巡礼道中記 .

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安家村俊作 三閉伊一揆の民衆像 Akkamura Shunsaku : Sanhei ikki no minshūzō
Chadani Jūroku 茶谷十六 Chadani Juroku (1941 - )

- quote
佐々木俊作 Sasaki Shunsaku
1810-1873 江戸時代後期の農民。
- kotobank -

"安家村俊作とは 
安家村(あっかむら)は、昭和31年(1956年)まで岩手県下閉伊郡にあった村。現在の岩泉町安家にあたる。
- wikipedia -

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南部三閉伊一揆とは
四十九カ条の要求を実現
勤労人民の自覚と誇りが
一揆支えた自治と協同の力
- reference source : nouminren.ne.jp/dat - 新聞「農民」2002.9.16付

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俊作(菊地氏先祖代々)のお墓 Grave of Shunsaku and the Kikuchi family

安家村俊作 with photos (5)
俊作(菊地氏先祖代々)のお墓。
俊作の生家は安家村川口
『安家村俊作』 茶谷十六
『一揆の奔流』『一揆の奔涛』『いわいずみふるさとノート』 佐々木京一
- reference source : takuworld.blog15.fc2.com -

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. Welcome to Edo 江戸 ! .

. Famous Buddhist Priests - ABC-List .


. Introducing Japanese Haiku Poets .

- - - #akkamura #akkamurashunsakuiwate - - -
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Yukawa Shodo

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Yukawa Shoodoo 湯川松堂 Yukawa Shodo
(1868 - ? )

Painter of Nihonga 日本画家.
He was born in Wakayama, and know as Ainosuke 愛之助.
His teachers were 三谷貞広 Mitani Sadahiro and 鈴木松年 Suzuki Shonen (1848 - 1918).
He lived in Osaka and was still alive in 1915.
The exact date of his death is not known.


- quote
湯川松堂筆  達磨図 Daruma










- source : chilyarennjiyanoyasai

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湯川松堂筆『達磨図』Standing Daruma






- source : -

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. . . CLICK here for more Japanese Photos !

. . . CLICK here for more Photos in English !

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- Reference - 湯川松堂 -
- Reference - Yukawa Shodo painter -


. Introducing Japanese Haiku Poets .

- - - #yukawashodo - - -
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02/08/2016

Keichu Priest

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Keichuu, Keichū 契沖 阿闍梨 Keichu Ajari
(1640 - 1701)

- quote -
a Buddhist priest and a scholar of Kokugaku in the mid Edo period. Keichū’s grandfather was a personal retainer of Kato Kiyomasa but his father was a rōnin from the Amagasaki fief. When he was 13, Keichū left home to become an acolyte of the Shingon sect, studying at Kaijō in Myōhōji, Imasato, Osaka. He subsequently attained the post of Ajari (or Azari) at Mount Kōya, and then became chief priest at Mandara-in in Ikutama, Osaka. It was at this time that he became friends with the poet-scholar Shimonokōbe Chōryū (下河辺長流:1624 – 1686).



However, he disliked the worldly duties of his work and, after wandering around the Kinki region for a while, made his way back to Mount Kōya. Deeply influenced by the thinking of Kūkai, he also read widely in the Japanese classics under the patronage of Fuseya Shigeta (伏屋重賢), a patron of the arts in Izumi Province. After serving as chief priest at Myōhōji, Keichū spent his last years at Enju’an in Kōzu in the Province of Settsu.

His prolific works set a new standard in the study of the classics, though building on recent revivals of interest in the subject. When the daimyo of Mito, Tokugawa Mitsukuni, decided to sponsor an edition of the Man'yōshū, he commissioned Shimonokōbe Chōryū, heir to the learning of the great poet and Man’yō expert Kinoshita Chōshōshi (木下長嘯子:1569 – 1649), to undertake the project. However his dilatory approach, combined with illness, and finally death, impeded his work and the task fell to Keichū, a close friend.
The result was the latter’s Man’yō Daishōki (万葉集大匠記:1687-1690), which had a profound effect on kokugaku scholarship.


Manyo Daisho-Ki 万葉集代匠記 / 萬葉代匠記

Similarly his Waji Seiranshō   和字正濫鈔 (1693: A Treatise on the Proper way to Write Japanese Words) challenged the standard orthographical conventions set by Fujiwara Teika and reconstructed distinctions in the old Japanese lexicon based on the earliest texts. In addition to these Keichū wrote the
Kōganshō  厚顔抄 1691 A Brazen-faced Treatise, the Kokin Yozaishō, the Seigodan, the Genchū Shūi, and the Hyakunin Isshu Kaikanshō.
- source : wikipedia

kokugaku 国学 Japanese studies

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- quote -
Keichū
a commentary to the Nara-period poetry collection Man’yōshū (Collection of Ten Thousand Leaves, mid-8th c.).
Keichū’s aim in writing this work was to reconstruct as closely as possible the original meaning of the text by looking at a wide range of contemporary and near-contemporary sources. Within the work, Keichū discusses the basic principles of his approach to the study of the past, which can be summarized as follows:

Reconstruct the contemporary meaning of the work and avoid at all costs any interference from the modern reader’s expectations and beliefs.
Make use only of sources from the same time period or thereabouts.
Do not take for granted the theories contained in later commentaries, including traditionally authoritative ones, because they may not be accurate or not apply directly to the age of the Man’yōshū.

Keichū applied these principles not only to the Man’yōshū, but also to the Kokinshū and other important works of the past. Through his method he made a number of important breakthroughs that forever changed the face of scholarship on the classics.

Although Keichū’s method may seem obvious today, no one before him had used such a rigorous philological approach in waka studies. Traditionally, waka scholars studied under a master and the emphasis was on amassing the transmitted teachings of one’s school or “house” (ie) rather than on textual study. Keichū never studied under a specific master, and so was never bound by a master-disciple type of relationship. Even more important was the boom of book publishing, which enabled Keichū to obtain the texts he needed for his research with ease.

As sources for his commentary to the Man’yōshū, Keichū names the Nihon shoki (Chronicles of Japan, 720), the Kaifūsō (Collection of Fond Recollections, 751), the Shoku Nihongi (Later Chronicles of Japan, 797), the Kogo shūi (Gleanings of Ancient Words, 807), the Shinsen Man’yōshū (Newly Edited Man’yōshū, 894), and the Wamyō ruijūshō (Japanese Words by Category, ca. 938), all of which were written between the 8th and 10th centuries, and all of which were available in print when Keichū wrote Man’yō daishōki in 1683.
None of them had ever been printed prior to the late 17th century, so it can be said that Keichū’s text-based scholarship would have been impossible in earlier periods. That Keichū’s approach relied heavily on printed editions of the texts he studied can be seen from the many notes and comments that he personally wrote on his own printed editions of the classics. Keio University Library owns one such book (Fig.2).
- source : futurelearn.com/courses - Keio university -


. Man'yōshū 万葉集 / 萬葉集 Manyoshu Poetry Collection .
Manyoo-Shuu, Manyo-Shu, Manyoo'shuu, Manyōshyū
"Collection of Ten Thousand Leaves"

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Keichuuki, Keichuu Ki 契沖忌 Memorial Day for Keichu
契沖の忌日 / 正月二十五日 / 25th day of the first lunar month
- kigo for the New Year, late Winter or Spring -

一扇の軸を上座に契沖忌
issen no jiku o jooza ni Keishuu Ki

a scroll
of one fan on the seat of honor -
Keichu Memorial Day


. Iida Dakotsu 飯田蛇笏 .





. Memorial Days of Famous People - Saijiki .

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- reference : 契沖 -


. Famous Buddhist Priests - ABC-List .

- - - #keichu #manyoshu - - -
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31/07/2016

Chiyo no Fuji

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Chiyo no Fuji 千代の富士 Chiyonofuji
Kokonoe Oyakata 九重親方

(June 1, 1955 – July 31, 2016)



- quote
Chiyonofuji Mitsugu 千代の富士 貢
Mitsugu Akimoto (秋元 貢 Akimoto Mitsugu), was a Japanese champion sumo wrestler and the 58th yokozuna of the sport. He was the stable master of Kokonoe stable.

Chiyonofuji was one of the greatest yokozuna of recent times, winning 31 yusho or tournament championships, second at the time only to Taihō. He was particularly remarkable for his longevity in sumo's top rank, which he held for a period of ten years from 1981 to 1991. Promoted at the age of twenty-six after winning his second championship, he seemed only to improve with age and won more tournaments in his thirties than any other wrestler, finally retiring in May 1991 just short of his thirty-sixth birthday. This is in contrast to most recent yokozuna who have tended to retire around 30.

During his 21-year professional career Chiyonofuji set records for most career victories (1045) and most wins in the top makuuchi division (807). This caused him to be listed by Guinness World Records Both of these records were later broken by Kaiō Hiroyuki.

He won the Kyushu tournament, one of the six annual honbasho, a record eight consecutive years from 1981 until 1988, and also set the record for the longest postwar run of consecutive wins (53 bouts in 1988). That record stood for 22 years until Hakuhō broke it with his 54th straight win in September 2010.

In a sport where weight is often regarded as vital, Chiyonofuji was quite light at around 120 kg (260 lb). He relied on superior technique and muscle to defeat opponents. He was the lightest yokozuna since Tochinoumi in the 1960s. Upon his retirement he became an elder of the Japan Sumo Association under the name
Kokonoe Oyakata 九重親方.

Kokonoe underwent surgery for pancreatic cancer in July of 2015, and was noticeably weak when speaking to reporters at the Aki basho in September of that year. Having reportedly told associates that the cancer had spread to his heart and lungs, he had been hospitalized since the fourth day of the Nagoya tournament in 2016.
He died in Tokyo on July 31, 2016 at the age of 61.
© More in the WIKIPEDIA !




Chiyo no Fuji
the long-time hero of all
Chiyo no Fuji



. Sumo wrestling 相撲 .
sumo wrestler, sumotoori 相撲取(すもうとり)


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His Kanreki dohyō-iri. One of only 10 performed ever.

九重親方(第58代横綱) - 還暦土俵入り!
- source : youtube.com -

- Reference - 千代の富士 -
- Reference - chiyo no fuji-

- - - #chiyonofuji - - -
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30/07/2016

Buddhist Priests List

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Famous Buddhist Priests - ABC-List


日本の名僧・高僧 88人


doogoo 道号 "Name of the Way" after a person entered priesthood


Some priests have their name as a kigo for Haiku.
. Introducing Japanese Haiku Poets and People .

Many of them already have their own page and are mentioned in boldface.
Check the ABC-List of this BLOG.
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Abutsu ni 阿仏尼 あぶつに Nun Abutsu-Ni (? - 1283)

Ankokuji Ekei 安国寺恵瓊 (1539 – 1600)


Baisan Monpon 梅山聞本 (?- 1417)

Bankei Yōtaku 盤珪永琢 Yotaku (1622 - 1693)

Banna 鑁阿 (ばんな) (1144 - 1199) (262)

Benkei, Musashibō Benkei 武蔵坊弁慶 Musashibo Benkei (1155–1189)


Chōgen, Choogen 重源 (1121 - 1206), Chogen, also known as Shunjōbō Chōgen 俊乗坊重源

Doogen 道元 Dogen Zenji (1200 - 1253)

Dookyoo 道鏡 Dokyo (? - 772)

Dooshoo 道昭 Dosho (629 - 700)


Eji 恵慈 えじ Eji (?~623?), Korean: Hyeja  
He was a tutor of Buddhism to Shōtoku Taishi.

Eikan 永観 Eikan (1032 - 1111)

Eisai (Yoosai) 栄西 Eisai 1141 - 1215)

Eizan Shookin 瑩山紹瑾 Eizan Shokin (1268 - 1325)

Eizon 叡尊 Eizon (1201 - 1290)

Enchin 円珍 / 圓珍 Enchin (814 - 891)

Enkan 円観  Enkan (1281 - 1356)

Enkuu, Enkū 円空 Enku (1632 – 1695)

Enni 円爾 Enni (1202 - 1280)

Ennin 円仁 Ennin Jigaku Daishi 慈覚大師 (794 - 864)

En no Ozune, Gyōja 役小角 En no Gyoja (634 - 706)

Ensai 円載 Ensai (? - 877)

Eshin Ni 恵信尼 Nun Eshin-Ni (1182 - ?1268)


Fukuda Gyookai 福田行誡 Fukuda Gyokai (1806 - 1888) (366)


Ganjin 鑑真 Ganjin / Jianzhen (688 - 763) Chinese monk

Gasan Jōseki, Jooseki 峨山韶碩 Gasan Joseki (1275 – 23 November 1366)

Genboo 玄肪 Genbo (? - 746)

Genshin 源信 Genshin (942 - 1017) (124)

Gesshoo 月照 Gessho (1813 - 1858) (354)

Getsushoo 月性 Getsusho (1817 - 1858) (352)

Gidoo Shuushin 義堂周信 Gido Shushin(1325 - 1388)

Gien 義淵(ぎえん) (? - 728)

Gudō Toshoku, Gudoo 愚堂東寔 Gudo Toshoku (1577 – 1661)

Gyooki 行基 Gyoki Bosatsu (668 - 749)

Gyooson, Gyōson 行尊 Gyoson (1057 - 1135) (136)


Hakuin Zenji 白隠禅師 Hakuin Ekaku (1686 - 1768)

Henjoo 遍昭 Henjo (816 - 890)

Hoonen 法然 Honen (1133 - 1212)

Hōzōin In'ei, Hoozoo-in 宝蔵院胤栄 Hozoin In-Ei (1521 – October 16, 1607)


Ikkyuu Soojun 一休宗純 Ikkyu Sojun (1394 - 1481)

Ingen 隠元 Eisai Zenji 栄西禅師 (1141 - 1215)

Ippen 一遍 Ippen (1239 - 1289)

Issan Ichinei 一山一寧  Issan(1247 - 1317)

Isshi Monju 一糸文守 Monju (1608 - 1646)


Jakuren 寂蓮 Jakuren (1139 - 1202)

Jakushin 寂心 Jakushin (? - 1001) (120)

Jien 慈円  Jien (1155 - 1225)

Jitchū, Jitchuu 実忠 Jitchu (? - 824)

Jiun 慈雲 Jiun (1718 - 1804)

Junjoo 俊ジョウ(草冠にイ乃) (1166 - 1227)

Juubin 守敏 Jubin (? around 800)

Juugen 重源 Jugen (1121 - 1206) - see Choogen


Kaisen Jooki 快川紹喜 Kaisen Joki (? - 1582) (268)

Kakuban 覚鑁 Kakuban (1095 - 1143)

Kakunyo 覚如 Kakunyo (1270 - 1351)

Kakushin Ni 覚信尼 Nun Kakushin Ni (1224 - 1283)

Kakuyuu 覚猷 Kakuyu (1053 - 1140) (鳥羽僧正 Toba Sojo)

Kangan Giin 寒巌義尹 Kangan (1217–1300)

Kanjoo 寛朝 Kanjo (?916 - 998)

Kawaguchi Chiekai 河口慧海 Kawaguchi Chiekai (1866 - 1945) (370)

Keichuu 契沖 阿闍梨 Keichu Ajari (1640 - 1701)

Kanzan Egen 開山慧玄 Kanzan(1277 - 1360)

Kenkai 兼海 Kenkai (1107 - 11 June 1155)

Kennyo 顕如 Kennyo (1543 - 1592) (276)

Kinkoku Shoonin 金谷上人 Saint Kinkoku Shonin (1761 - 1832) (316)

Kokan Shiren 虎関師錬 Kokan(1278 - 1346)

Kookei, Koogei, Kōkei 皇慶 Kokei (?977 – 1049)

Kooen 皇円 Koen (? - ?1169) 肥後阿闍梨 - Higo Ajari

Koogon 光厳法皇 Kogon Ho-O(1313 - 1364)

Kōsai, Koosai 幸西 Kosai (1163 – May 20, 1247)

Koun Ejō 孤雲懐奘 Ko-Un (1198 - 1280)

Kuukai 空海 弘法大師 Kukai Kobo Daishi (774 - 835)

Kuuya 空也 Saint Kuya (903 - 972)

Kyoonyo 教如 Kyonyo (1558 - 1614)


Mansai 満済 Mansai (1378 - 1435) (246)

Minchuu 明兆 Minchu (1351 - 1431) 

Mokujiki 木喰五行 Mokujiki Gogyo (1718 - 1810)

Mokujiki Oogo 木食応其 Mokujiki Ogo (1536 - 1608)

Mokujiki Tanshoo 木喰但唱 Mokujiki Tansho (? - 1641)

Mongaku 文覚 Mongaku (?1193 - ?1205)

Monkan 文観  Monkan (1278 - 1357)

Mugaku Sogen 無学祖元 Mugaku, Wuxue Zuyuan (1226 - 1286)

Mujū Dōkyō, Mujuu Dookyoo 無住道曉 Muji Dokyo (1 January 1227 - 9 November 1312)

Musoo Soseki 無窓疎石 Muso Soseki (1275 - 1351)

Myooe, Myōe 明恵 Myoe, Myo-E (1173 - 1232)


..............................................................................................................................................


. boozu 坊主 priest, お坊さん O-Bo-San .

oshoo 和尚 priest
nyuudoo 入道 Nyudo priest
shoonin, shônin 上人 saint, head priest of a temple
daitoko 大徳(だいとこ)daitoku だいとく priest of high standard
soojoo. sôjô 僧正 high-ranking priest, "archbishop"
meisoo 名僧 famous priest / monk
koosoo 高僧 high-ranking priest



Photo by Tamamura Kōzaburō (1856 - 1923)

..............................................................................................................................................


- - - many priests with names starting with NICHI belong to the Nichiren sect - - -

Nichigen, Buzen Nichigen 豊前日源 (?1263 – 1315)

Nichiji 日持 (Kaiko) (February 10, 1250 – ?1304)

Nichijin 日陣 Nichijin (May 30, 1339 - June 14, 1419)

Nichiken, Awaji Nichiken(淡路日賢 (1243–1338)

Nichimoku 日目 Nichimoku (1260 – 1333)

Nichiō, Nichioo 日奥 Nichio, NichiO (1565 – 1630)

Nichiren 日蓮 Saint Nichiren (1222 - 1282)

Nichiroo, Nichirō 日朗 Nichiro (1243 - 1320)

Nichizoo, Nichizō 日像 Nichizo(1269 - 1342)

Nikkō, Nikkoo 日興 Nikko (1246 –1333)

Nikoo, Minbu Nikō 民部日向 Mibu Niko (1253 - 1314)

Ninshoo 忍性 Ninsho (1217 - 1303)

Nisshin 日親 Nisshin(1407 - 1488)

Nisshō, Nisshoo 日昭 Nissho, (?1221 – 1323)

Nitchō, Nitchoo 日頂 Nitcho (1252 – April 19, 1317)

Nomura Moto Ni 野村望東尼 Nun Nomura Motoni (1806 - 1867) (350)

Noonin, Dainichibō Nōnin 大日房能忍 Nonin ( ? 1190)

..............................................................................................................................................


Ootagaki Rengetsu, Ōtagak 太田垣蓮月 Nun Otagaki Rengetsu (1791 - 1875)

Ootani Kooen Kubutsu 大谷光演 / 大谷句仏 Otani Koen (1875 - 1943)

Raigoo 頼豪 Raigo (1002 - 1084)

Rankei Dooryuu 蘭渓道隆 Rankei Doryu (1213 - 1278)

Rennyo 蓮如 Rennyo (1415 - 1499)

Rensei / Renshoo 蓮生 れんせい・れんじょう  Rensho / Renjo (1141 - 1208)

Rooben, Rōben 良弁  Roben (689 - 773)

Ryoogen 良源  Ryogen (912 - 985) (116)

Ryookan 良寛 Ryokan, Taigu 大愚 (1758 - 1831)

Ryoonin 良忍  Ryonin (1073 - 1132)

Ryuukoo 隆光 Ryuko (1649 - 1724)


Saichoo, Saichō 最澄 伝教大師 Saicho Dengyo Daishi (767 - 822)

Saigyoo Hooshi 西行法師 Saigyo Hoshi (1118 - 1190)

Sakuden 策伝 Sakuden (1554 - 1641)

Sengai 仙厓義梵 Sengai Gibon (175 1– 1837)

Sengaku 仙覚 Sengaku (?1203 - 1273)

Sesson Shuukei 雪村周継 Sesson (1504 - 1589)

Sesshuu 雪舟等楊 Sesshu Toyo (1420 - 1506)

Setouchi Jakuchō, Jakuchoo 瀬戸内寂聴 Nun Setouchi Jakucho (May 15, 1922 - )

Shimaji Mokurai 島地黙雷 Shimaji (1838 - 1911) (368)

Shinnyo 真如  Shinnyo 親王 (799 - 865) (132)

Shinran 親鸞  Shinran (1173 - 1262)

Shinshō, Shinshoo 真紹 Shinsho (797 – 873)

Shooboo 聖宝 Shobo (832 - 909)

Shoodoo 勝道 Shodo (735 - 817)

Shōkū, Shookuu 証空 Shoku (1177 - 1247), Seizan 西山

Shunkan 俊寛 Shunkan (c. 1143 – 1179)

Shunoku myooha 春屋妙葩 Shunoku Myoha(1311 - 1388)

- - soohei, sōhei 僧兵 Sohei, lit. "monk warriors", fighting monks

Suuden, Konchi-In Suuden 金地院崇伝 / Ishin Sūden 以心崇伝 Suden (1569 - 1633)

Suzuki Shosan 鈴木正三 Shosan (1579 - 1655) (288)

Suzuki Shunryū, Shunryuu 鈴木俊隆 Suzuki Shunryu (1904 - 1971) Zen


Taichō, Taichoo 泰澄 Taicho (682 – 767) - Tengu from Mount Hakusan
Etsu no Daitoku 越の大徳 - Great Man of Virtue from Etsu
Unpen Shoonin 雲遍上人 Saint Unpen Shonin
Shiramine Daisoojo 天狗 白峰大僧正 Tengu Shiramine Daisojo


Taigen Suufu 太原崇孚, 太原雪斎 Taigen Sessai (1469 - 1555) (266)

Taihan 泰範 (?817 ) disciple of Kukai (96)

Takeda Motsugai 武田物外 Takeda Motsugai (1795 - 1867)

Takuan, Takuan Sōhō 沢庵宗彭 Takuan Soho (1573 – 1645)

Tenkai 天海 Tenkai (1536 – 1643) / Nankōbō Tenkai 南光坊天海

Tettsū Gikai, Tettsu 徹通義介 Tetsu Gikai (1219 - 1309)

Tokuitsu 徳一 Tokuichi, Toku-Itsu (781? - 842?)


Uda Hoo-oo 宇多法皇 Uda Ho-O (879 - 931)


Yasutani Hakuun 安谷白雲 Yasutani Haku-Un (1885 - 1973) Kamakura Zendo

Yootaku, Bankei Yōtaku 盤珪永琢 Yotaku (1622 - 1693)

Yuien 唯円 Yuien,Yui-En (1222 - 1289) 

Yuukai 宥快 Yukai (1345 - 1416)

Yuuten 祐天 Yuten (1637 - 1718)


Zekkai Chuushin 絶海中津 Sekkai Chushin(1336 - 1405)

Zenjin ni 善信尼 Nun Zenjin-Ni (? sixth century)

Zenran 善鸞 Zenran (1217 - 1286)

Zooga、Sooga 増賀 Zoga, Soga (917 - 1003) (122)

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知っておきたい日本の名僧 / 瓜生中 Uryu Naka



日本名僧列伝 / 柏原祐泉 (編集), 薗田香融 (編集)



事典 日本の名僧 / 今泉淑夫 (編集)
180人の僧を没年順に収載した



名僧でたどる日本の仏教 / 末木文美士



名僧 100人
- reference : ne.jp/asahi/kiwameru/kyo -


more books about 日本の名僧 - 16 pages
日本名僧辞典 1976
日本をつくった名僧一〇〇人
日本の名僧入門―日本人の心を創りあげた二十人の素顔と生きざま
- source : www.amazon.co.jp -

List with books about the priests
- reference : yoshikawa-k.co.jp-


"Japanese Buddhist monks" - ABC-list
- - - More in the WIKIPEDIA !

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20/07/2016

Kamada Matahachi Kamata

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Kamada Matahachi (Kamata Matahachi) 鎌田又八
(? 1657)

A fictional figure. Taken up in Kabuki.
梅鎌田大力巷説 Ume Kamata Daikikibanashi

There was a feud in a local samurai family of Iga (Mari) no Kanemitsu, who was having an affair with his brother's widow. The loyal retainer, Matahachi and the mistress of the Lord, 菊野 Kikuno, have to take the blame for it all.
They are set up as adulterers by 毬埜兼満 Mari no Kanemitsu and murdered for that crime by putting them in a basket, bound firmly back to back, and thrown in a river to drown.
But later the nun 経題尼 Kyodai-Ni tells the true story to rehabilitate them.

Matahachi was known as a strong man killing various Yokai monsters.

.......................................................................


source : museums.fivecolleges.edu/detai
Katsushika Hokusa 葛飾北斎

Kamada Matahachi Chikara [Kamada Matahachi (has) strength]
鎌田又八ちから
from the book Ehon Wakan Homare [Picture Book of Noted Japanese and Chinese (Heroes)]

A vertical print of a half-naked man sitting on the floor with a box to his right and a pipe container and a small box to his left. Grabing his left leg with his left hand and smoking a kiseru pipe, he inserts a brush in his sandal and uses it to write inscriptions to the left. The expert brushman, Kamata Matahachi, demonstrates his deftness with the brush. He is seated smoking a kiseru pipe, a brush is inserted in his sandal.

.......................................................................



Here Matahachi is shown killing a monstrous nekomata cat in the mountains of Ise Province.

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Utagawa Kuniyoshi 歌川邦芳

Kamada Matahachi of Matsuzaka fighting off wolves with a huge iron bar in the Ashigara Mountains of Izu

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Sadashige aratame Kuniteru 貞重改国輝

The immensely strong man Kamata Matahachi lifts up a huge temple pillar to put his sandal under it, in order to demonstrate his strength. A flock of disturbed pigeons fly up in front of the temple altar.
This scene happened in Karuizawa.

.......................................................................



source : artic.edu/aic/collections/artwork
Torii Kiyonobu I 鳥居清信

The Actors 市川団十郎 Ichikawa Danjuro II as Kamada Matahachi and
市川門之助 Ichikawa Monnosuke I as 久松 Hisamatsu
in the play "Osome Hisamatsu Shinju Tamoto no Shirashibori,"
performed at the Morita Theater, 1720, 1720

Osome Hisamatsu tamoto no chirachibori (Story of Osome and Hisamatsu, 1711)
A play written by Ki no Kaion.

.......................................................................



Utagawa KUNISADA

- quote -
The ghost of Kamata Matahachi
This print represents a scene from the kabuki play True record of the famous song for hand-balls, which was performed in the Nakamura Theatre in the seventh month of 1855.

The tragedy of the play concerns the Mari family. Mari Yashiro made love to his brother's widow, who had become a nun after her husband's death. When his wrong-doing came to be known to his servant Kamata Matahachi and his dead brother's concubine Kikuno, Yashiro had them both killed.

In this print, Kamata Matahachi and Kikuno appear as ghosts tied facing in opposite directions, accompanied by their spirit fires. Both are identified by the inscriptions in the cartouches.
The print is signed 'Toyokuni', the name of his teacher who Kunisada had adopted in 1844.
- source : ngv.vic.gov.au/ngvschools -

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source : ukiyo-e.org/image/mfa/sc

Actors Ichikawa Kodanji IV as Marino Kanemitsu (R),
Ichikawa Kodanji IV as Ghost of Kamada Matahachi (Kamada Matahachi bôrei) and
Ghost of Kikuno (Kikuno ga bôrei) (C),
Iwai Kumesaburô III as the Nun Kyôdai (L)




- quote -
OSOME NO NANAYAKU - "Osome's seven roles"
Osome Hisamatsu Ukina no Yomiuri

Act I, scene 1: within the precincts of the Myôken Shrine in Yanagishima
Act I, scene 2: the zashiki of the Hashimotoya
Act I, scene 3: the Koume Tobacco Shop
Act II, scene 1: at the Aburaya in Kawara-machi
Act II, scene 2: on the 2nd floor behind the Aburaya in Kawara-machi
Act III, scene 1: the michiyuki at Mukôjima
- Read the full text here:
- source : kabuki21.com/osome_no_nanayaku-

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. yookai, yōkai 妖怪 Yokai monsters .

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- reference - 鎌田又八 -
- reference : 梅鎌田大力巷説 -
- Reference - kamada matahachi -
- reference - kamata matahachi -

. Join the Ukiyo-E friends on facebook ! .




- - - #kamadamatahachi #kikuno - - -
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22/06/2016

Daidozan Bungoro Sumo

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Daidoozan Bungoroo, Daidôzan Bungorô 大童山文五郎 Daidozan Bungoro
(1788 - 1822)

. WKD : sumoo 相撲 Sumo wrestling .
- Introduction -


source : ameblo.jp/giantlimited/entry

碁盤上げ Goban age
写楽 Sharaku

A young Sumo wrestler, Bungoro, is using a wooden Go board to fan out the candle.
This was a new amusement for the people of Edo.

. wa roosoku 和蝋燭 Japanese candles .

..............................................................................................................................................

- quote -
The Great Child Mountain
Daidozan Bungoro, the Great Child Mountain, who at the age of seven stood a fairly modest 3'10", but weighed a staggering 183 pounds, was a popular figure in 1795. Wrestling fans enjoyed Daidozan’s performances. To the excitement of the fans, the ‘Yobidashi’, announcer, would sing a delightful chant calling Daidozan into the ring. Daidozan would perform his ceremonial ritual. Then the ‘Gyoji’, referee, would signal Daidozan to begin. The little butterball would perform all of the Sumo wrestler methods of ‘tuki’, thrusting, ‘yori’, clinching, and ‘oshi’, pushing. After the exhibition, his fame would spread into other areas of Japanese culture.
An example, is a woodblock print showing Daidozan drinking sake and being offered tea by the famous beauty and teahouse waitress Okita of the Naniwaya and biscuits by her rival Ohisa of the Takashimaya.


This stamp is the fifth of 5 single issues that commemorates Sumo champions.
The fifth single-issue stamp commemorates the Daidozan, Great Child Mountain, in Ring-entry Ceremony.

Daidozan was not the only child prodigy to appear as a Sumo wrestler. Among his successors were the seven year old, Jintsuriki, weighing 174 pounds. In 1836, an eight year-old called Oniwaka who weighed in at 156 pounds. In 1859, Maizuru Komakichi, at the age of eight, who displayed his 218 pound frame to the wrestling fans at the Eko-in. Wrestling fans have enjoyed these performances. In addition, the exhibitions of adult wrestler giants were frequently done side by side with the child prodigy for the enjoyment of the fans. This presentation would reveal the uniqueness of the body of both wrestlers. The adult wrestlers who appeared with these prodigies were also prized above all for their size. These wrestlers would give a collectible artifact of a hand-print, impressed in either ink or cinnabar, to their admirers. These desirable artifacts, given to the admirers, are used as comparisons of the span that their puny hands have over the massive ones of the adult and prodigy wrestler.

In woodblock prints, both child and adult wrestlers were treated quite differently from other subjects, and always in a way to accentuate their size. What the wrestler prints displayed was the bulk and phenomenal strength. These qualities emerge most clearly in portraits of individual wrestlers with rippling muscles exaggerated to the point of caricature. In other prints, they are seen to be associated with the delicate fragility of the geisha and the cherry blossom.

Since these prints were all designed for commercial profit, it seems reasonable to assume that in emphasizing their size, the designers were giving the public precisely what it wanted. This is why the wrestlers could spend unlimited time for their stately warmingup exercises. It also explains why a whole day could be spent on ceremonies in which they displayed themselves. Again, giving to the public precisely what it wanted. This is not to say that the wrestling bout was not as desired by the public, but that both are equally important.

- - - - - A Synopsis of the Artist
... Saito Jurobei, pseudonym Toshusai Sharaku....
- source : Do You Know This Stamp.com, Inc -

..............................................................................................................................................

- quote
Daidozan Bungoro
Highest Rank - - Maegashira 5
Real Name - - BUNGORO Shiono
Birth Date - - February 15, 1788
Shusshin - - Yamagata-ken, Higashine-shi
Death Date - - December 20, 1822 (34 years)
Height and Weight - - 159 cm 169 kg
Heya - - Isenoumi
Shikona - - Daidozan Bungoro
Hatsu Dohyo - - 1794.11 (Maegashira)
Intai - Retirement - - 1813.01
- source : sumodb.sumogames.de/Rikishi -

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Sumô Wrestlers Tanikaze and Daidôzan Bungorô


Utagawa Toyokuni I

Lifting a money box
. Senryobako 千両箱 money box .

Daidôzan Bungorô, Boy Wrestler, Age Seven
Katsukawa Shun'ei

Wrestlers and Umpires Contemplating the Child Wonder Daidozan Bungoro
Toshusai Sharaku

- More ukiyo-e prints of Bungoro 浮世絵
- reference : ukiyo-e.org/search -

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- Reference - 大童山文五郎 -
- Reference - Daidozan Bungoro -

. Welcome to Edo 江戸 ! .

- - - #daidozanbungoro #bungorosumo - - -
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28/05/2016

Poets about Japan

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Poets about Japan


- source with hyperlinks : themargins.net/anth/19thc -

edited by Irene De Angelis

Terms of Use:
Materials in Emerging from Absence: An Archive of Japan in English-Language Verse are made accessible for non-profit educational and research purposes only.
Themargins.net makes no warranty with regard to their use for any other purpose.


.......................................................................

- - - - - Acknowledgments
My first debt in bringing together this archive is to those who have granted permission to include work in it, who without payment beyond a notice of titles in print have so generously supported the project. I am indebted also to those who have called my attention to work that has found its way here, particularly to Paul Rossiter, who has filled in many gaps in my knowledge, and to the late Richard Caddel, who after one accidental meeting and one following e-mail posted queries, forwarded responses, and brought me up to date.

The archive also has benefited from the various kindnesses of Emiko Kuroda, Peter Makin, the late Shigeo Tobita, and Scott Watson, and would not have been possible without the courtesy of the Department of English and the excellence of the staff of the University Library at Indiana University, Bloomington.

Infelicities, of course, are mine.
David Ewick, April, 2004

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A Dream of Bric-a-Brac: The Nineteenth Century

Louisa Stuart Costello • Supposed to be Sung by the Wife of a Japanese Who Had Been Taken by the Russians to Their Country, 1825

Alexander Rodger • The Devil’s Visit to the Islands of Japan, 1838

C. H. W. • An Ode to the Japanese, 1860

Walt Whitman • The Errand-Bearers, 1860

Anonymous • Society in Japan, 1867

Horace Russell and William Greene • The Japanese Lovers, ca. 1870

Oliver Wendell Holmes • At the Banquet to the Japanese Embassy, 1872

R. H. Horne • Ode to the Mikado of Japan, 1873

Margaret Veley • A Japanese Fan, 1876

Henry Wadsworth Longfellow • from Kéramos, 1878

W. S. Gilbert • Two Songs from The Mikado, 1885

William Struthers • The Rejected Japanese Lover, 1887

W. E. Henley • Ballade of a Toyokuni Colour Print, 1888

John Hay • A Dream of Bric-a-Brac, 1890

Anonymous • The Japanese Doll, ca. 1890

Louis Belrose, Jr. • A Japanese Sword, 1891

Rudyard Kipling • Buddha at Kamakura, 1892

Edwin Arnold • Fuji-yama, 1892

Edwin Arnold • The Musmee, 1892

Oliver Herford • Japanesque, ca. 1893

. Ernest Fenollosa • Sonnet: Fuji at Sunrise, 1893 .

Mary McNeill Scott (Mary McNeill Fenollosa) • To a Portrait of a Japanese Princess, 1894

Mary Stockton Hunter • A Japanese Sword Song, 1895

Mrs. Merrill E. Gates • Japanese War Song, 1895

Mae St. John Bramhall • The Japanese “Good-Day,” 1897

Margaret A. Brooks • Japan, the Youngest Born, 1899

Aldis Dunbar • Japaneseque, 1900

Edgar Fawcett • The Yellow Danger, 1900

.......................................................................


Haunted in Old Japan: 1901~1909

And the Great Gate Swings: 1910~1919

What Was Hidden in Twilight Before: 1920~1929

The Heart of Standing: 1930~1939

The Thin Shell of Night: 1940~1949

The Aesthetic Point: 1950~1959

The Heart’s Garden: 1960~1969

Preparing the Past: 1970~1979

The Ache of Distance: 1980~1989

.......................................................................

Lost Objects: 1990~1999


Peter Robinson - Deep North (1993)

‘What silence
penetrating rock
the voice of the cicada’

Matsuo Bashô

.......................................................................


In Spaces Between East and West: 2000~



- source with hyperlinks : themargins.net/anth/19thc -

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. Introducing Japanese Haiku Poets .

- - - #poetsaboutjapan - - -
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24/05/2016

Kato Gosuke

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Kato Gosuke 加藤五輔
(1839 – 1905)
He comes from a family of ceramic artists, now in the 5th generation.



加藤五輔(一八三七-一九一五年)(1837 - 1915)
は名工として誉れ高く、多治見の市之倉にあった五輔の窯は、染め付けの細密画という、髪の毛よりも細い線を多用した絵付けを得意としていた。曲面をなす磁器の素地に描いていくのであるから、並大抵のことではないが、その絵をみると、動物も植物も、繊細な筆致によって生き生きとした表情に仕上がっている。

むろん海外での評価が高く、明治九(一八七六)年にフィラデルフィア万国博覧会に出品された作品は、現在、イギリス屈指の名門、ヴィクトリア・アンド・アルバート美術館に収蔵されている。また、同十一(一八七八)年のパリ万博では銅賞を受けて、その地位を確固たるものとした。当時はジャポニスムの全盛期であり、細やかな絵付けをみた欧米人たちの感嘆の声が聞こえてきそうである。
- reference : ss-info.com/contents/chunichi -


Mino ceramic artist from Gifu.



Mino ware, Japan made 1875

The glassy quality of the glaze and the vibrant hue of the blue found on this cup and saucer are typical of late nineteenth-century porcelains from Mino, which is located to the northeast of Nagoya in central Japan.
Kato Gosuke was a renowned painter of birds and flowers who went on to win several awards at the 1878 Paris Exposition Universelle. The cup and saucer were part of a group of over 200 ceramics bought on behalf of the V&A by the Japanese Exposition commissioners with funds provided by Philip Cunliffe-Owen, an ardent Japanophile who was director of the V&A from 1874 to 1893. The instructions sent to the commissioners were that they should ‘make an historical collection of porcelain and pottery from the earliest period until the present time, to be formed in such a way as to give fully the history of the art.’
- source : collections.vam.ac.uk -


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- - - - - His artwork at

- source : google search

- source : yahoo search

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- quote -
His artwork at Yahata Kumano Shrine Ichinokura
It’s not a big place, and very old, but it is quiet there and just a quick walk down the hill from our house. And like so many old Shinto shrines, it has its art treasures…but you have to look for them. In this case, the ceiling of a small, auxiliary building is where you can find the treasures…



treasures more than 150 years old, some by our local National Art Treasure, Kato Gosuke IV (1839–1905) and all by local artists who long ago lived in Ichinokura and who have passed on . All one has to do is walk up the time-worn wooden stairs and look up. Some of the paintings are so old that they have faded them almost beyond recognition, but if you look closely. . .








- source : Thanks to Aoi and Hayato on facebook -


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- Reference - 加藤五輔 -
- reference : Kato Gosuke mino -


. Gifu Folk Art - 岐阜県  .


. Introducing Japanese Haiku Poets .

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